Tag Archives: Climax


I still don't have the capability to post youtube videos on the blog...but PLEASE go watch this.

Lisa Gerrard is best known for her deep, haunting contralto voice. She has received a Golden Globe award and an Acadamy Award nomination for the score for the film "Gladiator" (which she collaborated on).

Gerrard has achieved her greatest fame by never saying a word. Rather, she sings in tongues, a habit formed and nurtured in the early days of Dead Can Dance, continuing through to her present-day solo and soundtrack work. It’s a technique that allows her voice to join the chorus of synths, organs, strings, and (why not) dulcimer, basically, any instrument that can play a note for a very long time, without the words that could potentially distract from that chorus (...)

While these tracks are pretty, however, Gerrard shows in other places that she can lend this technique a lyrical quality that just about doubles the intensity of whatever song it appears on. “Swans” is a solo standout, on which Dimitry Kyryakou provides an incredible, almost dance-like bouzouki backdrop that sets the song far apart from the Dead Can Dance material and the soundtrack contributions. Gerrard reciprocates with a vocal line that sounds like a narrative except for the fact that there are no words. Even without the words, however, we can hear her story slowly increase in intensity, lull, climax, and slowly fade, mindful of the repercussions of the events that precede that fade. It’s an all-encompassing sort of story arc, allowing us the opportunity to provide our own words to the music

There is some indication that Gerrard claims Christianity...but what is important about this story is that

1)  singing in tongues is a habit

2) it is formed

3) it is nurtured

4) in Gerrard's case it has nothing to do with the religious experience.